Catalog
| Issuer | Stiela (Sicily) |
|---|---|
| Year | 400 BC |
| Type | Standard circulation coin |
| Value | 1 Litra |
| Currency | Litra |
| Composition | Silver |
| Weight | 0.74 g |
| Diameter | 14 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | HGC 2#1270 , Buceti#1 |
| Obverse description | Apollo, nude, standing left holding phiale in his right hand and branch in his left; to left, altar potent on step. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Forepart of a man-headed bull to right. |
| Reverse script | Greek |
| Reverse lettering | ΣΤΙΕΛΑΝΑΙΟΝ |
| Edge | |
| Mint | |
| Mintage |
ND (-400) - - |
| Numisquare ID | 8795844430 |
| Additional information |
Historical Context: This silver litra, struck by the city-state of Stiela around 400 BC, emerges from a tumultuous yet vibrant period in Sicilian history. While Stiela's exact prominence is less documented than major powers like Syracuse, its coinage signifies local autonomy and participation in the island's dynamic economy. The late 5th century BC saw intense rivalries among Greek city-states and increasing Carthaginian influence, making local coinage crucial for daily transactions amidst shifting alliances across Magna Graecia.
Artistry: Despite its diminutive size, this litra exemplifies the sophisticated numismatic artistry characteristic of Classical Sicily. The anonymous engraver worked within the region's traditions, known for dynamic and naturalistic representations. Obverse designs commonly feature a laureate head of a local nymph or deity, rendered with fine detail. The reverse often depicts an indigenous animal like a crab, octopus, or a grain ear, reflecting the city's identity or economic basis. The style balances intricate detail with the small flan's constraints.
Technical/Grading: Weighing 0.74 grams and measuring 14 millimeters, this litra is a testament to ancient minting precision. Key high-points for grading include the highest relief areas of the obverse portrait (e.g., hair, facial features) and the central elements of the reverse motif. Due to hand-striking and small flans, minor off-centering, slight die wear, and variable strike pressure are common. A well-centered strike with strong relief on both sides indicates a premium example, preserving delicate Classical Greek craftsmanship.