Catalog
| Issuer | Aitna |
|---|---|
| Year | 460 BC - 450 BC |
| Type | Standard circulation coin |
| Value | 1 Litra |
| Currency | Litra |
| Composition | Silver |
| Weight | 0.63 g |
| Diameter | 11 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | Campana#3, Jameson#537, SNG Fitzwilliam#948, SNG ANS 3#1239 |
| Obverse description | Bald and bearded head of Silenos to right, wearing ivy wreath |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Thunderbolt, with wings above |
| Reverse script | Greek |
| Reverse lettering | ΑΙΤ ΝΑΙ |
| Edge | |
| Mint | |
| Mintage |
ND (460 BC - 450 BC) - - |
| Numisquare ID | 2192936910 |
| Additional information |
Historical Context: This silver litra from Aitna, dated 460-450 BC, represents a fascinating, albeit brief, chapter in Sicilian numismatic history. Aitna was initially the name given to Katane by Hieron I of Syracuse following his victory over the Chalcidians in 476 BC. After Hieron's death in 467 BC, the original inhabitants returned, and Aitna was re-established at Inessa. This coin likely originates from the latter period, reflecting the dynamic political landscape and shifting city-states of early Classical Sicily. Its extreme rarity underscores the ephemeral nature of this city's independent coinage.
Artistry: Though the specific engraver remains anonymous, this litra exemplifies the exquisite artistry characteristic of Sicilian coinage during the Early Classical or Severe Style period. Despite its diminutive size, such pieces often feature remarkably detailed designs, typically depicting deities, local fauna, or symbolic representations of the city. The dies would have been meticulously crafted, reflecting the high standards of contemporary Greek engravers who imbued even the smallest denominations with significant artistic merit and iconographic depth.
Technical/Grading: For a coin of 0.63 grams and 11 millimeters, technical strike quality is paramount. Ideal specimens exhibit a full, centered strike, with clear rendering of the central design elements and any accompanying legends, despite the small flan. High points on the relief are often the first to show wear, making their preservation crucial for grading. Planchet imperfections or minor off-center strikes are not uncommon for such small denominations, but a well-struck example with good metal quality is highly prized.