Catalog
| Issuer | Motya (Sicily) |
|---|---|
| Year | 415 BC - 397 BC |
| Type | Standard circulation coin |
| Value | Hexas (⅙) |
| Currency | Litra |
| Composition | Bronze |
| Weight | 2.7 g |
| Diameter | 12 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | CNS#5, 7 , SNG Morcom#644 , HGC 2#943 , CNAI#26 |
| Obverse description | Head of nymph facing slightly to right; dolphins flanking. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Head of young male to right. |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (415 BC - 397 BC) - - |
| Numisquare ID | 1454672150 |
| Additional information |
Historical Context: Motya, a powerful Punic city in western Sicily, issued this bronze hexas during a tumultuous period spanning 415-397 BC. This era witnessed escalating conflicts with Greek Syracuse under Dionysius I, culminating in Motya's devastating siege and destruction in 397 BC. The coinage, though a minor bronze denomination, served vital local economic functions for this strategic Phoenician outpost, reflecting its distinct cultural identity and resilience amidst intense Hellenic pressures for regional dominance.
Artistry: While specific engraver details are typically unrecorded for such fractional bronze issues, the design of Motyan coinage generally exhibits a fascinating synthesis of Punic iconography and contemporary Greek artistic influences. The hexas, as a small denomination, would likely feature simplified yet recognizable local motifs, often drawing from Phoenician religious or civic symbols. These designs were typically executed with a robust, somewhat provincial style characteristic of Sicilian Punic mints, balancing functional utility with cultural expression.
Technical/Grading: This bronze hexas, weighing approximately 2.7 grams and measuring 12 millimeters, presents specific considerations for technical assessment. High-points, such as the highest relief of any depicted head or animal on the obverse or reverse, are often the first areas to show wear. The strike quality can vary significantly, with common issues including off-centering, die wear, and inconsistencies in flan preparation. Surface preservation, encompassing the degree of patination or corrosion, is paramount for accurately grading bronze issues of this antiquity and composition.