Catalogo
| Emittente | Pagasai |
|---|---|
| Anno | 375 BC - 325 BC |
| Tipo | Standard circulation coin |
| Valore | Hemiobol (1⁄12) |
| Valuta | Drachm |
| Composizione | Silver |
| Peso | 0.41 g |
| Diametro | |
| Spessore | |
| Forma | Round (irregular) |
| Tecnica | Hammered, Incuse |
| Orientamento | |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i | BCD Thessaly I#1222, BCD Thessaly II#1157 |
| Descrizione del dritto | Head of Jason facing right, with short hair and wearing a petasos |
|---|---|
| Scrittura del dritto | |
| Legenda del dritto | |
| Descrizione del rovescio | Six-stringed lyre; all within shallow incuse circle |
| Scrittura del rovescio | Greek |
| Legenda del rovescio | Π Α Γ Α |
| Bordo | |
| Zecca | |
| Tiratura |
ND (375 BC - 325 BC) - - |
| ID Numisquare | 5855239020 |
| Informazioni aggiuntive |
Historical Context: This silver hemiobol from Pagasai dates to a pivotal period in Thessalian history, 375-325 BC. Pagasai, the strategic port of Pherae, was a vital naval base, first under the powerful tyrants of Pherae like Jason, and subsequently under increasing Macedonian influence, especially during the reigns of Philip II and Alexander the Great. The issuance of this small denomination coinage underscores Pagasai's economic activity and its role as a significant trading hub in the Pagasetic Gulf, facilitating daily commerce amidst shifting regional hegemonies.
Artistry: While specific engravers for such diminutive issues are rarely identifiable, the artistry reflects the Late Classical to early Hellenistic Greek numismatic tradition. The obverse typically features a finely rendered head, often a local nymph representing the city's springs or a prominent deity, executed with a degree of naturalism characteristic of the era. The reverse usually carries a simpler design, perhaps a horse's head or a symbol, constrained by the small flan size but still conveying civic identity through its iconography.
Technical/Grading: Weighing 0.41 grams, this hemiobol's small size often results in characteristic technical limitations. High-points susceptible to wear include the highest relief areas of the obverse portrait, such as the hair, nose, or chignon. The strike quality can vary, with minor off-centering or partial flan coverage being common due to the rapid production of small change. Despite this, the silver fabric generally exhibits good metal purity, and a well-struck example would show clear details on both obverse and reverse within the confines of its small diameter.