Hemiobol

Issuer Mylasa
Year 450 BC - 400 BC
Type Standard circulation coin
Value Hemiobol (1⁄12)
Currency Drachm
Composition Silver
Weight 0.50 g
Diameter 13.0 mm
Thickness
Shape Round (irregular)
Technique Hammered
Orientation
Engraver(s)
In circulation to
Reference(s) SNG Kayhan#835, SNG Keckman Karia#841
Obverse description Forepart of lion right, head left
Obverse script
Obverse lettering
Reverse description Facing lion’s scalp
Reverse script
Reverse lettering
Edge
Mint
Mintage ND (450 BC - 400 BC) - -
Numisquare ID 1386132260
Additional information

Historical Context: Mylasa, a prominent Carian city, issued this silver hemiobol during the Classical period, approximately 450-400 BC. This era saw Mylasa enjoying significant local autonomy despite its position within the Achaemenid Persian Empire. The city's strategic location and robust economy necessitated the issuance of fractional silver coinage like the hemiobol for daily transactions and local commerce. Such small denominations underscore Mylasa's sophisticated monetary system and its active participation in the wider Aegean trade networks.

Artistry: The artistry of this Mylasan hemiobol reflects prevalent Classical Greek stylistic traditions, adapted to its diminutive flan. While a specific engraver is unrecorded, the design typically features an eagle standing left, often with its head turned back, on the obverse. This motif likely alludes to a local deity or civic power. The reverse commonly displays a star or rosette pattern, a simplified yet elegant design suitable for the small module. The overall execution, though compact, aims for clarity and symbolic representation characteristic of Carian numismatic art.

Technical/Grading: Given its minute dimensions (13mm, 0.50g), the technical strike quality of this hemiobol is critical for its preservation. High-points for the eagle include its breast, wing tips, and head details. For the reverse star/rosette, the central boss and radiating points are crucial. Well-struck examples exhibit sharp details on both sides, with a relatively centered strike, though off-centering is common for such small issues. The silver fabric should show minimal porosity and a pleasing tone, indicative of good metal purity and careful handling.

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