Hemidrachm

Issuer Knossos
Year 420 BC - 380 BC
Type Standard circulation coin
Value Hemidrachm (1/2)
Currency Drachm
Composition Silver
Weight 2.94 g
Diameter
Thickness
Shape Round (irregular)
Technique Hammered, Incuse
Orientation
Engraver(s)
In circulation to
Reference(s) SvoronosCr#7
Obverse description The Minotaur in a kneeling-running stance to right, its head facing.
Obverse script
Obverse lettering
Reverse description Eight-rayed star in flower shape in double square, the space between which is filled with parallel lines.
Reverse script
Reverse lettering
Edge
Mint
Mintage ND (420 BC - 380 BC) - -
Numisquare ID 4717106190
Additional information

Historical Context: This silver hemidrachm was issued by the ancient Cretan city-state of Knossos between 420 BC and 380 BC, within the Classical Greek period. Knossos, a prominent independent polis, was governed by civic institutions, not a singular ruler. The coin's issuance signifies the city's economic prosperity and active regional trade. This denomination provided a vital standardized medium of exchange for local commerce and transactions with other Greek city-states, reflecting Knossos's robust economy.

Artistry: The engraver remains anonymous, typical for this era. The coin's artistry adheres to Classical Greek stylistic schools of the late 5th and early 4th centuries BC. Knossian coinage features distinctive local iconography. The obverse often presents a finely rendered head of Persephone or Kore, wreathed, embodying classical idealism. The reverse commonly depicts the legendary Labyrinth, a powerful symbol of Knossos's mythological heritage and unique identity, executed with precision.

Technical/Grading: Weighing 2.94 grams, this hemidrachm aligns with the standard weight for its denomination. Critical high-points include hair and facial features on the obverse portrait, and intricate lines of the Labyrinth on the reverse. A superior strike will display full, sharp details on both sides, good centering, and minimal die wear, ensuring clear legibility of portraiture and mythological symbols. Minor off-centring is common for ancient issues.

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