Catalog
| Issuer | Bargylia (Caria) |
|---|---|
| Year | 180 BC - 140 BC |
| Type | Standard circulation coin |
| Value | Hemidrachm (1/2) |
| Currency | Attic drachm |
| Composition | Silver |
| Weight | 2.13 g |
| Diameter | 16 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | HN Online#1568 |
| Obverse description | Veiled head of Artemis Kindyas right, hair in knot; dotted border. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Stag standing right on groundline; beneath stag, kerykeion; dotted border. |
| Reverse script | Greek |
| Reverse lettering | ΒΑΡΓΥ ΛΙΗΤΩΝ |
| Edge | |
| Mint | |
| Mintage |
ND (180 BC - 140 BC) - - |
| Numisquare ID | 3396570550 |
| Additional information |
Historical Context: This silver hemidrachm, struck by Bargylia in Caria between 180 and 140 BC, dates to a period of relative autonomy for the city amidst shifting Hellenistic powers. Bargylia, though minor, asserted sovereignty through coinage, facilitating local and regional trade. The issuance of these denominations reflects a stable economy and participation in the broader economic sphere, likely under the growing influence of Rhodes before Rome's ultimate dominance in Asia Minor.
Artistry: Exhibiting the late Hellenistic stylistic school, no specific engraver is identifiable. The obverse typically features a finely rendered head of Artemis Kindyas, Bargylia's patron deity, often with a bow and quiver, conveying a sense of divine protection and civic identity. The reverse commonly depicts a stag, an animal sacred to Artemis, standing gracefully. This iconography reinforces the city's strong religious ties and local cult, making the coin a potent civic emblem.
Technical/Grading: Struck on a 16 mm, 2.13-gram flan, assessment considers strike centering, die wear, and metal quality. High points on the obverse include Artemis's hair, nose, and diadem. On the reverse, the stag's antlers and musculature are critical details. A well-struck example shows full detail, minimal flan irregularities, or double striking. The silver purity is generally high for this period, contributing to good preservation and potential for attractive toning.