See full images — free registration
Continue with Google — it's free or register with email

Gold Plated Stater Sunflower Contemporary Counterfeit

Issuer Corieltauvi tribe (Celtic Britain)
Year 45 BC - 10 BC
Type Log in to see details
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Weight Log in to see details
Diameter Log in to see details
Thickness Log in to see details
Shape Round (irregular)
Technique Log in to see details
Orientation Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Highly abstracted rendering of the head of Apollo facing right, executed in the curvilinear La Tène artistic tradition. The design is decomposed into flowing crescentic elements representing the wreath, with leaves rendered as inward-pointing forms, and a draped cloak suggested by sweeping curved lines. A prominent central spike, flanked by a crescent motif, dominates the composition; the terminal of the spike may be bent or bifurcated to form a distinctive two-pronged hook. The field is unlettered, and the entire design reflects the characteristic Celtic abstraction of its Macedonian gold stater prototype.
Obverse script Log in to see details
Obverse lettering Log in to see details
Reverse description Log in to see details
Reverse script Log in to see details
Reverse lettering Log in to see details
Edge Plain
Mint Log in to see details
Mintage Log in to see details
Additional information

The Corieltauvi occupied a substantial territory in what is now the East Midlands, and their coinage shows a gradual evolution from Gallo-Belgic prototypes toward increasingly abstract designs. Contemporary counterfeits — plated base-metal cores struck with genuine or imitative dies — were produced throughout the late Iron Age across Britain and Gaul, and were not necessarily viewed as fraud in the modern sense; some circulated freely alongside solid issues, suggesting acceptance at or near face value in certain transactions.

The plating technique here, bronze core with applied gold surface, mirrors practices documented across the Trinovantes and Iceni territories as well. Whether this piece originated within Corieltauvi lands or entered circulation from outside remains difficult to establish without metallurgical provenance data.