| Issuer | Arches-Charleville, Principality of |
|---|---|
| Year | 1613 |
| Type | Standard circulation coin |
| Value | 1 Silver Ecu (3⁄2) |
| Currency | Livre |
| Composition | Silver |
| Weight | 19.78 g |
| Diameter | 39.7 mm |
| Thickness | |
| Shape | Round |
| Technique | Milled |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | KM#26, Dav EC II#3833 |
| Obverse description | Crowned eagle. |
|---|---|
| Obverse script | Latin |
| Obverse lettering | CAR DVX NIVERNENSIS ET RETHELENSIS XXX 1613 |
| Reverse description | Crowned arms. |
| Reverse script | Latin |
| Reverse lettering | DEI GRATIA PRINCEPS ARCHENSIS FI DES |
| Edge | |
| Mint | |
| Mintage |
1613 - - |
| Numisquare ID | 1675475460 |
| Additional information |
Historical Context: The 1613 Ecu from Arches-Charleville is a significant numismatic artifact of early 17th-century Europe, issued under Charles I Gonzaga, Duke of Mantua and Montferrat. Charles founded the planned city of Charleville in 1606, establishing it as a sovereign principality. This coin, struck early in its history, powerfully symbolizes his ambition to create an independent state and assert ducal authority through coinage, reflecting the era's complex political landscape.
Artistry: The Ecu's design exemplifies transitional stylistic trends, bridging late Renaissance and early Baroque art. The obverse features a finely rendered bust of Charles I, likely by an anonymous master engraver. His effigy typically depicts him in armor with a ruff, conveying regality. The reverse prominently displays Charles I's complex armorial bearings, incorporating the coats of arms of Mantua, Montferrat, and Nevers, often encircled by the Order of the Holy Spirit, asserting his extensive lineage.
Technical/Grading: This substantial silver Ecu (19.78g, 39.7mm) often exhibits characteristics typical of early 17th-century minting. High points prone to wear include the ruler's hair, armor details, and crown on the obverse, along with intricate elements of the ducal arms. Strike quality varies; some examples show minor planchet imperfections or slight off-center strikes. A well-preserved specimen retains sharp details in portraiture and clear definition of heraldic devices, often with strong original luster.