| صادرکننده | Kibyra (Phrygia) |
|---|---|
| سال | 166 BC - 84 BC |
| نوع | Standard circulation coin |
| ارزش | Drachm (1) |
| واحد پول | Cistophoric drachm |
| ترکیب | Silver |
| وزن | 2.87 g |
| قطر | 16 mm |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | Variable alignment ↺ |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | SNG von Aulock#3709 Copenhagen#267 |
| توضیحات روی سکه | Male head right, wearing crested helmet. |
|---|---|
| خط روی سکه | |
| نوشتههای روی سکه | |
| توضیحات پشت سکه | Helmeted and cuirassed horseman holding spear and shield, charging right; behind butterfly. |
| خط پشت سکه | Greek |
| نوشتههای پشت سکه | M ΚΙΒΥΡΑΤΩΝ |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (166 BC - 84 BC) - - |
| شناسه Numisquare | 1238943530 |
| اطلاعات تکمیلی |
Historical Context: This silver drachm originates from Kibyra in Phrygia, struck between 166 BC and 84 BC. This period marks a significant era of autonomy and prosperity for Kibyra, the leading city of the Tetrapolis confederation, following the Peace of Apamea (188 BC) which diminished Seleucid influence. Kibyra asserted its independence through its coinage. Minting ceased as Roman power consolidated in Asia Minor, particularly after the Mithridatic Wars, leading to the dissolution of the Tetrapolis.
Artistry: While no specific engraver is recorded, the stylistic execution aligns with the Hellenistic tradition prevalent in Asia Minor. The obverse often features a dignified portrait, typically a deity or personification like Tyche, reflecting civic pride. The reverse commonly displays an emblem or figure, accompanied by the city's ethnic. Kibyran die-cutting demonstrates a competent grasp of contemporary Hellenistic sculptural ideals, characterized by detailed rendering and expressive forms, even on these smaller denominations.
Technical/Grading: This drachm, weighing 2.87 grams and measuring 16 millimeters, conforms to the standard for its denomination, as cataloged in SNG von Aulock#3709 and Copenhagen#267. High-points for wear would typically include the highest relief areas of the obverse portrait, such as hair and facial features, and any prominent reverse design elements. Technical strike quality often varies; examples with strong, centered strikes and well-preserved die details are highly prized. Irregular flan shapes are common, influencing overall grade.