| Issuer | Chios (Ionia) |
|---|---|
| Year | 400 BC - 380 BC |
| Type | Standard circulation coin |
| Value | Drachm (1) |
| Currency | Drachm |
| Composition | Silver |
| Weight | 3.7 g |
| Diameter | 16 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered, Incuse |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | Baldwin Chios#85 |
| Obverse description | Sphinx seated left; amphora to left; E to right. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Quadripartite granulated incuse square. |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (400 BC - 380 BC) - - |
| Numisquare ID | 1126175040 |
| Additional information |
Historical Context: This silver drachm from Chios, 400-380 BC, originates from a pivotal period for the Ionian island polis. Following its defection from the Athenian League in 412 BC, Chios navigated a complex geopolitical landscape between Persian ambitions and shifting Greek hegemons. Despite external pressures, Chios maintained significant autonomy, leveraging its maritime prowess and renowned wine trade. The coinage, featuring the ancient civic emblem of the sphinx and wine amphora, underscores the island's enduring identity and commercial prosperity during this post-Peloponnesian War era.
Artistry: The artistic execution of this drachm exemplifies Late Classical stylistic tendencies in Ionia. While specific engraver signatures are not attested for Chian issues of this period, the craftsmanship reflects a sophisticated regional workshop. The obverse features the iconic Chian sphinx, typically rendered seated with an upright wing, demonstrating refined naturalism. The reverse consistently depicts an amphora, often accompanied by a grape cluster, symbolizing Chios's celebrated viticulture and economic foundation.
Technical/Grading: For optimal grading, numismatists should prioritize several key elements. On the obverse, a sharp strike is essential for discerning the sphinx's facial features, wing feathers, and body musculature. A clear ground line is also desirable. On the reverse, the amphora should be fully rendered, with distinct handles and a well-defined body. Legibility of any accompanying symbols, like a grape cluster, and the ethnic (ΧΙΟΣ) if present, is crucial. Centering, ensuring the complete amphora, significantly impacts eye appeal and grade.