Catalog
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| Issuer | Artuqids of Hisn Kayfa and Amid |
|---|---|
| Year | 1185 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Dinar (628/632-1598) |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
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| Obverse description | Log in to see details |
|---|---|
| Obverse script | Arabic |
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse script | Log in to see details |
| Reverse lettering | Log in to see details |
| Edge | Plain. |
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| Additional information |
The Artuqid dynasty's deliberate revival of Sasanian iconography on their copper coinage was a calculated political gesture — rulers of a dynasty rooted in Turkic military service under the Seljuqs, yet governing populations with deep memories of pre-Islamic Persian visual culture. Sukman II ruled Hisn Kayfa from roughly 1185 until 1200, a period of intense pressure from both Saladin's expanding Ayyubid power to the south and the fragmented successor states of the Zengids to the north.
The Sasanian bust type on Artuqid copper has been linked by scholars including Spengler and Sayles to deliberate numismatic antiquarianism rather than any continuity of use — these rulers were collecting and copying older coin types as a form of dynastic legitimacy-building. Zeno catalogue number 26804 identifies this specific die pairing.