カタログ
| 発行体 | Serbia (medieval) |
|---|---|
| 年号 | 1282-1321 |
| 種類 | Standard circulation coin |
| 額面 | 1 Dinar |
| 通貨 | Dinar (1217-1459) |
| 材質 | Silver |
| 重量 | 1.77 g |
| 直径 | 20 mm |
| 厚さ | 0.4 mm |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Coin alignment ↑↓ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | Jovanovic#7.2 |
| 表面の説明 | Stefan II standing facing on left, holding akakia in his left hand and St. Stefan, nimbate, standing facing on right, holding book of Gospels in his left hand; both holding, between them with their right hands, long banner. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | VROSIVS RES S STEFAN |
| 裏面の説明 | Christ, nimbate, seated facing on decorated throne and holding book of Gospels with both hands, pellets on both sides of throne. |
| 裏面の文字体系 | |
| 裏面の銘文 | IC - XC |
| 縁 | Plain |
| 鋳造所 | |
| 鋳造数 |
ND (1282-1321) - - |
| Numisquare ID | 3888168120 |
| 追加情報 |
Historical Context: This Dinar belongs to Stefan Uroš II Milutin, who ruled Serbia from 1282 to 1321. His reign marked a golden age for medieval Serbia, characterized by significant territorial expansion, economic prosperity, and cultural flourishing. Milutin was a formidable leader, solidifying Serbia's position as a dominant Balkan power. The issuance of this silver Dinar underscores the stability and wealth of his realm, reflecting a sophisticated monetary system vital for trade and state administration.
Artistry: While specific engravers are anonymous, this Dinar exemplifies the strong Byzantine artistic influence prevalent in Serbian numismatics. The design typically features Stefan Uroš II Milutin, often enthroned or standing, symbolizing his divine right and earthly power. The reverse commonly portrays a religious motif, such as Christ Pantocrator or the Virgin Mary, reinforcing the ruler's piety and the state's Christian identity. Stylistically, the rendering conveys regal authority and spiritual devotion, typical of late Byzantine Balkan art.
Technical/Grading: Struck in silver, measuring 20mm and weighing 1.77 grams, this Dinar's technical qualities vary. High-points for preservation assessment include details of Milutin's crown, facial features, and imperial garments. On the reverse, the clarity of the religious figure's halo and drapery are key. Medieval striking often results in off-center strikes, planchet irregularities, or areas of flatness, particularly on legends. Well-struck examples with full legends and sharp details are considerably rarer and command premium value.