Katalog
| Emittent | Syracuse |
|---|---|
| Jahr | 485 BC - 478 BC |
| Typ | Standard circulation coin |
| Nennwert | Didrachm (10) |
| Währung | Litra |
| Material | Silver |
| Gewicht | 8.91 g |
| Durchmesser | |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered |
| Ausrichtung | |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | SNG ANS 5#11, Jameson#745, Boehringer#51, AMB Basel#429 |
| Aversbeschreibung | Nude rider on horse pacing right, leading second horse on far side. |
|---|---|
| Aversschrift | |
| Averslegende | |
| Reversbeschreibung | Diademed head of nymph Arethusa right, wearing earring and necklace; around, four dolphins. |
| Reversschrift | Greek |
| Reverslegende | ΣV – RΑ – ΟΣΙ – ΟΝ |
| Rand | |
| Prägestätte | |
| Auflage |
ND (485 BC - 478 BC) - - |
| Numisquare-ID | 5056276880 |
| Zusätzliche Informationen |
Historical Context:Gelon I's reign (485-478 BC) marked a pivotal era for Syracuse, transforming it into the dominant power in Sicily. Having seized control from the Gamoroi, Gelon relocated populations and established a formidable military, setting the stage for the city's golden age. This didrachm was issued during his early rule, reflecting the nascent stages of his tyranny and the consolidation of his authority over the island, just prior to the decisive victory against Carthage at Himera. It symbolizes Syracuse's growing economic and political might under his leadership.
Artistry:The artistry of this didrachm exemplifies the nascent Severe style, transitioning from Archaic rigidity towards the refined naturalism of the Early Classical period. The obverse typically features a dynamic quadriga, driven by a charioteer, often with Nike flying above to crown the victor – a powerful symbol of Syracusan athletic prowess and military success. The reverse presents the iconic head of the nymph Arethusa, patron goddess of Syracuse, encircled by four dolphins, representing the island city's maritime dominion and the fresh spring of Ortygia.
Technical/Grading:For grading, key high-points on the obverse include the charioteer's facial features, the horses' musculature and manes, and the intricate details of the chariot wheels. On the reverse, attention is paid to Arethusa's delicate facial features, the strands of her hair, and the distinct forms of the surrounding dolphins. A well-struck example will exhibit sharp definition in these areas, along with a broad, round flan and minimal evidence of die wear or weakness in the strike, ensuring the full artistic intent is preserved.