Katalog
| İhraççı | Sardes |
|---|---|
| Yıl | 133 BC - 100 BC |
| Tür | Standard circulation coin |
| Değer | Dichalkon (1⁄24) |
| Para birimi | Drachm |
| Bileşim | Bronze |
| Ağırlık | 4.5 g |
| Çap | 18 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | Copenhagen#464-465 Aulock#3127 |
| Ön yüz açıklaması | Head of Dionysos, right; wearing ivy wreath. |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Horned lion standing left, head facing, breaking spear in jaws; monogram below. |
| Arka yüz yazısı | Greek |
| Arka yüz lejandı |
ΣΑΡΔΙ ΑΝΩΝ Θ (Translation: Of Sardes) |
| Kenar | Rough |
| Darphane | |
| Basma adedi |
ND (133 BC - 100 BC) - - |
| Numisquare Kimliği | 1948743190 |
| Ek bilgiler |
Historical Context: This Dichalkon from Sardes, issued 133-100 BC, reflects a pivotal era. Following Attalus III's bequest of Pergamon to Rome in 133 BC, Sardes transitioned into the Roman province of Asia. This coinage, lacking a singular dynastic ruler, represents the city's continued civic autonomy under Roman administration. These bronze issues served vital local economic functions, underscoring Sardes' enduring regional importance amidst significant political transformation.
Artistry: The artistry of this Dichalkon embodies the late Hellenistic style characteristic of Asia Minor during its early Roman provincial phase. While no specific engraver is identified, the obverse typically features a dignified bust of a prominent deity, often Zeus, rendered with Hellenistic naturalism. The reverse commonly displays a civic emblem or local cult symbol, such as an eagle, signifying Sardes' identity and traditions. The aesthetic maintains continuity with Pergamene artistic legacy, subtly integrating Roman administrative influence.
Technical/Grading: Struck in bronze, weighing 4.5 grams and measuring 18 millimeters, this Dichalkon typically exhibits variable strike quality, common for civic bronzes of the period. High-points on the obverse, such as a deity's hair and facial features, are often the first to show wear or weakness. The reverse, particularly elements like an eagle's wings or talons, can also suffer from incomplete striking or die wear. Centering varies; well-centered examples with clear legends and strong device details are highly prized.