Catalog
| Issuer | Thelpusa |
|---|---|
| Year | 370 BC - 350 BC |
| Type | Standard circulation coin |
| Value | Dichalkon (1⁄24) |
| Currency | Drachm |
| Composition | Bronze |
| Weight | 5.76 g |
| Diameter | |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | BCD Peloponnesos#1759 |
| Obverse description | Head of Demeter Erinys facing right |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | The horse Areion prancing right with the letter Θ below |
| Reverse script | Greek |
| Reverse lettering | ΕΡΙΩΝ |
| Edge | |
| Mint | |
| Mintage |
ND (370 BC - 350 BC) - - |
| Numisquare ID | 7244296430 |
| Additional information |
Historical Context: This Dichalkon was issued by the Arcadian city of Thelpusa, 370-350 BC, a pivotal Peloponnesian period. Post-Leuctra (371 BC), Sparta's hegemony waned, fostering Arcadian independence and the League's formation. Thelpusa, as a member, exercised its sovereign right to strike coinage, reflecting economic vitality. Bronze denominations like this Dichalkon were crucial for local transactions, signaling a robust economy independent of larger regional powers.
Artistry: While the engraver remains anonymous, this Dichalkon reflects Late Classical stylistic trends in the Peloponnesos, mid-4th century BC. Arcadian mints frequently featured local deities or personifications, rendered with idealized form and emerging naturalism. The anonymous master aimed for clear, recognizable iconography on the small flan. The design, though unspecified, would have conveyed Thelpusa's civic identity and religious affiliations through a significant local patron deity or symbolic representation.
Technical/Grading: Struck in bronze at 5.76 grams, this Dichalkon represents a typical module for Thelpusa. Bronze coinage of this era often exhibits strike variations: potential off-centering, minor flan irregularities, or weaker strike areas due to the metal and process. For grading, critical high-points include highest relief areas of any depicted head (e.g., hair, forehead) and central reverse elements. The BCD Peloponnesos#1759 reference confirms its established place within the numismatic corpus of Arcadian issues.