Catalog
| Issuer | Gyrton |
|---|---|
| Year | 340 BC - 320 BC |
| Type | Standard circulation coin |
| Value | Dichalkon (1⁄24) |
| Currency | Drachm |
| Composition | Bronze |
| Weight | 4.83 g |
| Diameter | 16.0 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | BCD Thessaly I#1053, Rogers#230 var. |
| Obverse description | Helmeted head of Ares right with the letters ΠΕΙ to right |
|---|---|
| Obverse script | Greek |
| Obverse lettering | ΠΕΙ |
| Reverse description | Head of the nymph Gyrtone right, wearing stephane with the letter Π to left |
| Reverse script | Greek |
| Reverse lettering | ΓΥΡΤΩΝΙΩΝ |
| Edge | |
| Mint | |
| Mintage |
ND (340 BC - 320 BC) - - |
| Numisquare ID | 6218225060 |
| Additional information |
Historical Context: This Dichalkon was issued by the ancient Thessalian city of Gyrton between 340 BC and 320 BC. This period saw Thessaly navigating significant political flux, often under Macedonian influence following Philip II's interventions. Bronze coinage like this Dichalkon was vital for Gyrton's local economy, facilitating daily transactions. It underscores the city's civic identity and economic resilience during a turbulent transition from Late Classical to Early Hellenistic times.
Artistry: The artistic execution of this Dichalkon reflects the Late Classical to Early Hellenistic Greek stylistic school. While no specific engraver is known, the obverse typically features a horse head, rendered with Thessalian naturalism, and the reverse displays a tripod. The horse, a prominent Thessalian symbol, represented the region's famed cavalry. Even on this smaller module, the style aimed for realism and detail, hallmarks of Greek numismatic art from this period.
Technical/Grading: This bronze Dichalkon measures 16.0 mm and weighs 4.83 grams, consistent with its denomination. High-points susceptible to wear on the obverse horse head include the eye, muzzle, and mane details. For the reverse tripod, the legs and bowl rim are typically highest. As common for ancient bronze, strike quality can vary, showing off-center strikes, areas of weakness, or flan irregularities. A well-struck specimen exhibits clear details in these high-relief areas with minimal planchet flaws.