Katalog
| Emitent | Gonnos |
|---|---|
| Rok | 350 BC |
| Typ | Standard circulation coin |
| Hodnota | Dichalkon (1⁄24) |
| Měna | Drachm |
| Složení | Bronze |
| Hmotnost | 5.22 g |
| Průměr | 19.0 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered |
| Orientace | Variable alignment ↺ |
| Rytci | |
| V oběhu do | |
| Reference | SNG Copenhagen#53, Rogers#226, BCD Thessaly I#1047, BCD Thessaly II#76.2, BCD Thessaly II#76.3 |
| Popis líce | Head of nymph to right, her hair rolled and with a triple-pendant earring. |
|---|---|
| Písmo líce | |
| Opis líce | |
| Popis rubu | Lion walking right. |
| Písmo rubu | Greek (retrograde) |
| Opis rubu | ΓΟ-ΝΝΕ |
| Hrana | |
| Mincovna | |
| Náklad |
ND (-350) - - |
| ID Numisquare | 3672355380 |
| Další informace |
Historical Context: This Dichalkon, issued by the city of Gonnos around 350 BC, situates it within the late Classical period of Greek numismatics. Gonnos, a significant city in northern Thessaly, maintained a degree of autonomy amidst regional powers. The minting of bronze coinage, particularly a dichalkon, highlights the city's independent economic administration and the increasing demand for smaller denominations to support local commerce during the 4th century BC. This coin serves as a crucial artifact reflecting Gonnos's civic identity and economic activity in a dynamic era.
Artistry: Although specific engraver identities are unrecorded, the coin's artistry would align with late Classical Thessalian conventions. Designs typically featured idealized portraits of local deities or heroes on the obverse, rendered with classical gravitas. The reverse commonly displayed an emblematic animal, such as the renowned Thessalian horse, or a civic symbol, executed with Hellenic naturalism. Despite the bronze medium's challenges, these issues often exhibit expressive artistry, showcasing the die-cutters' skill and the city's cultural pride.
Technical/Grading: This Dichalkon, at 5.22 grams and 19.0 millimeters, conforms to the standard specifications for the type. Typical of ancient bronze issues, flan preparation and strike quality could vary. Key high-points, such as a deity's hair or an animal's musculature, are prone to early wear. A strong, well-centered strike ensures better preservation of intricate details, while off-center strikes or worn dies can obscure them. Its presence in key references like SNG Copenhagen and BCD Thessaly confirms its numismatic significance.