Catalog
| Issuer | Italy, Kingdom of |
|---|---|
| Year | 1002-1004 |
| Type | Standard circulation coin |
| Value | 1 Denier (1⁄240) |
| Currency | Pound (781-1024) |
| Composition | Silver |
| Weight | |
| Diameter | |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | MEC XII#25, CNI IV#485.10, MIR#833 |
| Obverse description | ARDO in a beaded circle, legend around. |
|---|---|
| Obverse script | Latin |
| Obverse lettering |
ARDO + HINVS REGEM (Translation: Arduin, king...) |
| Reverse description | City name in three lines, legend around. |
| Reverse script | Latin |
| Reverse lettering |
IMDERATOR PA PIA (Translation: ... and emperor. Pavia.) |
| Edge | |
| Mint | |
| Mintage |
ND (1002-1004) - - |
| Numisquare ID | 1245819120 |
| Additional information |
Historical Context: This Denier, issued from the pivotal Pavia mint between 1002 and 1004, represents the tumultuous reign of Arduin of Ivrea, the last indigenous King of Italy before the full reassertion of Imperial authority. Arduin's coronation in 1002 challenged the Ottonian claim, leading to conflict with Henry II. The enigmatic legend "HINVS REGEM" is particularly significant. While often interpreted as a corrupted "HENRICUS REX," possibly acknowledging the broader imperial claim, its exact meaning remains debated, underscoring the complex political allegiances of the era.
Artistry: The design is characteristic of early medieval Italian coinage, reflecting Lombardic stylistic trends. While no specific engraver is identifiable, dies were cut by local artisans in Pavia. The obverse typically features a central cross, while the reverse displays the "HINVS REGEM" legend, often encircling a monogram or stylized PAVIA. The lettering is generally uncial or Carolingian minuscule, exhibiting varying degrees of skill and legibility depending on the individual die.
Technical/Grading: Struck in silver, these Deniers commonly exhibit technical limitations of early 11th-century minting. Irregular flan shapes and variable thickness are common, as are off-center strikes obscuring legends or design elements. High-points for wear are typically the central cross and outer edges of lettering. Silver purity, while generally consistent, can vary. Collectors should anticipate minor planchet flaws and strike weakness, particularly in monogram details or cross arm extremities.