Katalog
| Emittent | Venusia (Apulia) |
|---|---|
| Jahr | 275 BC - 225 BC |
| Typ | Standard circulation coin |
| Nennwert | Sextans (⅙) |
| Währung | Nummus (circa 275-200 BC) |
| Material | Bronze |
| Gewicht | 62.55 g |
| Durchmesser | 35.5 mm |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Cast |
| Ausrichtung | Variable alignment ↺ |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | HN Italy#709 Grave#155 , Weber#477 , BMC Gr/It#5 |
| Aversbeschreibung | Dolphin left; below, two pellets (mark of value). |
|---|---|
| Aversschrift | |
| Averslegende | |
| Reversbeschreibung | Dolphin left; below, two pellets (mark of value). |
| Reversschrift | |
| Reverslegende | |
| Rand | |
| Prägestätte | |
| Auflage |
ND (275 BC - 225 BC) - - |
| Numisquare-ID | 4366323590 |
| Zusätzliche Informationen |
Historical Context: This Æ Biunx was issued by Venusia, a pivotal Roman colony in Apulia, during 275-225 BC. This era marks the consolidation of Roman power in southern Italy, following the Pyrrhic Wars and preceding the Second Punic War. Venusia, strategically important, minted this substantial bronze coinage to facilitate local commerce within the expanding Roman Republic. The Biunx, a significant denomination, underscores the region's robust economic activity.
Artistry: While the engraver remains anonymous, typical for this period, the coin exemplifies the Greco-Italic stylistic school prevalent in Magna Graecia. The substantial 35.5mm flan allowed for bold and detailed designs. Obverse types commonly feature a prominent deity's head, often rendered with Hellenistic influence, characterized by idealized forms. The reverse typically presents a related symbolic device or divine figure, executed with a robust local interpretation of classical motifs, balancing Greek artistic traditions with Roman colonial coinage practicalities.
Technical/Grading: Weighing 62.55 grams, this large bronze module presented significant striking challenges. High-points typically include the hair, nose, and chin on the obverse portrait, and central elements of the reverse design. Due to the difficulties of striking such a heavy bronze flan, examples often exhibit some off-centering or areas of strike weakness, particularly on the periphery. A well-struck specimen would display a clear, full portrait, legible legends (if present), and minimal porosity, reflecting a high-quality die and forceful, even strike.