Katalog
| Emitent | Numidia |
|---|---|
| Rok | 203 BC - 118 BC |
| Typ | Standard circulation coin |
| Nominał | As (1) |
| Waluta | As |
| Skład | Bronze |
| Waga | 13.41 g |
| Średnica | 26 mm |
| Grubość | |
| Kształt | Round (irregular) |
| Technika | Hammered |
| Orientacja | Medal alignment ↑↑ |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) | CNNM#23-48 , MAA#12-15 Copenhagen#510-515 AC#45 , GCV#6596 |
| Opis awersu | Laureate and bearded male head left |
|---|---|
| Pismo awersu | |
| Legenda awersu | |
| Opis rewersu | Horse galloping left; Punic “MN” below. |
| Pismo rewersu | |
| Legenda rewersu | |
| Krawędź | |
| Mennica | |
| Nakład |
ND (203 BC - 118 BC) - - |
| ID Numisquare | 3311245870 |
| Dodatkowe informacje |
Historical Context: This bronze As, issued by Numidia between 203 BC and 118 BC, spans the reigns of Massinissa and his son Micipsa. Massinissa, a pivotal Roman ally in the Second Punic War, established a unified Numidian kingdom, elevating it to a significant regional power. This coinage reflects Numidia's burgeoning independence and economic strength. The inclusion of Punic letters underscores enduring cultural ties to Carthage, indicating a complex identity during North Africa's geopolitical transformation.
Artistry: While no specific engraver is identified, this Numidian As displays a distinctive synthesis of indigenous, Hellenistic, and Punic artistic traditions. The prominent Punic letters are a defining feature, signifying continued Carthaginian cultural influence in Numidia's nascent state. Numidian bronzes of this era often depicted royal portraits, horses, or local deities. The design aimed to project royal authority and forge a unique Numidian identity, blending local elements with broader Mediterranean numismatic conventions.
Technical/Grading: Struck on a substantial bronze flan (13.41 grams, 26 mm), this As served as a key denomination for daily commerce. Strike quality on such large ancient bronzes often varies, exhibiting irregular flan shapes, off-center strikes, or areas of weakness. Key high-points for preservation include the highest relief areas of any portraiture, such as hair and facial features, and the details within the Punic legends. A well-struck example shows clear legends and strong central design elements.