| Emitent | Caesarea |
|---|---|
| Rok | 222-235 |
| Typ | Standard circulation coin |
| Nominał | |
| Waluta | |
| Skład | Bronze |
| Waga | 6.95 g |
| Średnica | 23 mm |
| Grubość | |
| Kształt | Round (irregular) |
| Technika | Hammered |
| Orientacja | Coin alignment ↑↓ |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) |
| Opis awersu | Laureate head right |
|---|---|
| Pismo awersu | Greek |
| Legenda awersu | AV K M AVP CEOVH ΑΛΕΣΑΝΔPO |
| Opis rewersu | Altar with four grain ears |
| Pismo rewersu | Greek |
| Legenda rewersu | MHTPOΠ KAICAPI |
| Krawędź | |
| Mennica | |
| Nakład |
ND (222-235) - - |
| ID Numisquare | 1325250620 |
| Dodatkowe informacje |
Historical Context: This Æ23 bronze coin was issued under Severus Alexander (222-235 AD), the last emperor of the Severan dynasty. His 13-year reign marked a period of increasing instability for the Roman Empire, preceding the full Crisis of the Third Century. As a provincial issue from Caesarea in Cappadocia, this coin served as essential local currency, reinforcing imperial authority and addressing regional economic demands for this significant administrative center.
Artistry: The artistic execution of this provincial bronze, while distinct from metropolitan Roman issues, adheres to established imperial portraiture conventions. The obverse would display a laureate, draped, or cuirassed bust of Severus Alexander, rendered in a style typical of the Caesarean mint, blending imperial prototypes with local interpretations. Engravers, largely anonymous, focused on recognizable imperial likenesses. The reverse, though unspecified, typically featured a local deity or civic emblem, reflecting Roman and Cappadocian cultural fusion.
Technical/Grading: Struck on a bronze flan, weighing 6.95 grams and measuring 23 millimeters, this coin's technical qualities are characteristic of provincial issues. High points on the obverse, such as the emperor's hair and facial features, are key indicators for assessing wear. Strike quality often varies, with provincial mints sometimes exhibiting inconsistent centering or incomplete striking, leading to areas of flatness. Flans could also be irregularly shaped. Despite these common challenges, well-preserved examples reveal clear details of imperial portraiture and reverse iconography.