Каталог
| Эмитент | Beikthano Kingdom (Pyu city-states) |
|---|---|
| Год | 500-600 |
| Тип | Standard circulation coin |
| Номинал | |
| Валюта | |
| Состав | Silver |
| Вес | 6.93 g |
| Диаметр | |
| Толщина | |
| Форма | Round |
| Техника | Hammered |
| Ориентация | Medal alignment ↑↑ |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера |
| Описание аверса | Srivatsa temple with sankh shell on left and swastika at right |
|---|---|
| Письменность аверса | |
| Надписи аверса | |
| Описание реверса | Rising Sun stylised. |
| Письменность реверса | |
| Надписи реверса | |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (500-600) - - |
| ID Numisquare | 1863480440 |
| Дополнительная информация |
Historical Context: The 64 Ratti coin from Beikthano emerges from the rich tapestry of the Pyu city-states, flourishing in what is now central Myanmar between the 5th and 10th centuries CE. Beikthano, identified as one of the earliest and largest Pyu urban centers, served as a vital hub for trade, administration, and the propagation of Theravada Buddhism. This silver coinage, dated 500-600 CE, signifies a sophisticated economic system and the kingdom's prosperity, adhering to the ancient Indian Ratti weight standard, a testament to extensive cultural and commercial ties with the Indian subcontinent.
Artistry: While the engraver remains anonymous, typical for the period, the coin’s design reflects the distinctive early Pyu numismatic tradition, subtly influenced by Indian prototypes. Common motifs include the auspicious Srivatsa symbol, representing prosperity, often depicted atop a Bhadrapitha (throne or pedestal), signifying sovereignty. These central designs are typically rendered with a stylized simplicity, often encircled by a dotted border or other symbolic elements like the sun, moon, or conch, showcasing a unique blend of indigenous artistry and external religious iconography.
Technical/Grading: Struck in silver with a weight of 6.93 grams, precisely aligning with the 64 Ratti standard, this coin demonstrates remarkable metallurgical consistency for its era. High-points susceptible to wear typically include the central Srivatsa and Bhadrapitha motifs. Due to hand-striking techniques prevalent in the 6th century, examples often exhibit characteristic irregularities such as slight off-centering, uneven flan shapes, and variable strike pressure. A well-preserved specimen would display sharp detail on the primary devices and a relatively round, evenly struck flan, indicative of superior craftsmanship.