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5000 Francs - Empire Français type 1942
| Issuer | Banque de France |
|---|---|
| Year | 1942-1947 |
| Type | Log in to see details |
| Value | Log in to see details |
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| Composition | Log in to see details |
| Size | Log in to see details |
| Shape | Rectangular |
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| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
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| Obverse description | Log in to see details |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse lettering | Log in to see details |
| Signature(s) | 05.03.1942 - 12.11.1942 / 28.05.1942 - Belin / Rousseau / Favre-Gilly 27.04.1944 & 28.09.1944 - Belin / Rousseau / Favre-Gilly 18.01.1945 - 09.01.1947 / 11.05.1945 - Belin / Rousseau / Favre-Gilly 20.03.1947 - 25.09.1947 - Belin / Rousseau / Gargam |
| Protection type | Log in to see details |
| Protection description | African and Asian woman's head in profile / French woman's head in profile |
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| Comments |
This note entered circulation under German occupation and remained current through Liberation and into the early postwar years — an unusually long run for a single design that spans two radically different political regimes. The Banque de France continued operating under Vichy with a degree of institutional continuity that postwar France found uncomfortable, and the unchanged signature block of Belin and Rousseau persisting from 1942 through 1945 is a quiet record of that continuity.
Marguerite Dreyfus, who signed her engraving work as "Rita," was one of the very few women working in that trade at the Banque de France's atelier during this period. Gargam replaced Favre-Gilly in the final 1947 signature combination, marking the only structural change across five years of issue.