See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

500 Pesos Oro

Issuer Banco de la República
Year 1923
Type Standard circulation banknote
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Size Log in to see details
Shape Log in to see details
Printer Log in to see details
Designer(s) Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Log in to see details
Obverse lettering Log in to see details
Reverse description Central vignette of a standing Liberty figure within a circular guilloche medallion at centre, surrounded by elaborate green lathe-work and scrollwork panels that extend to all four corners. The denomination numeral 500 appears in large figures at both left and right, framed by ornamental borders. A circular legend band reads Banco de la Republica Bogota Colombia around the central medallion, with the denomination inscription in a panel along the lower margin and the printer's imprint at the bottom edge.
Reverse lettering Banco de la Republica Bogota Colombia Quinientos Pesos Oro
(Translation: Bank of the Republic Bogota Colombia Five Hundred Pesos Oro)
Signature(s) Log in to see details
Protection type Log in to see details
Protection description Log in to see details
Variants Log in to see details
Comments

The Banco de la República was established in July 1923, making this 500 Pesos Oro among the earliest notes issued by Colombia's newly created central bank. The republic had endured decades of monetary chaos under a fragmented system of private and departmental banks — the 1923 reform, guided in large part by the Kemmerer Mission, a U.S. financial advisory team, consolidated that mess into a single note-issuing authority.

The American Bank Note Company contract was a deliberate choice for credibility. At that denomination, counterfeiting risk was serious, and ABNC's intaglio work was considered among the hardest to replicate in Latin America at the time.

YOU MAY ALSO LIKE