Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Banco Central de Costa Rica |
|---|---|
| Year | 1951-1977 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Size | 157 × 66 mm |
| Shape | Log in to see details |
| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Purple on multicolour underprint, with the bank title and serial number inscribed across the top. A vignette portrait of Manuel María Gutiérrez appears at right, while the denomination in both numerals and words is positioned at left-centre alongside two signature lines. The printer's imprint runs along the lower centre, with the value rendered in Roman numerals at each lower corner. |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | Printed in purple, with the bank title at top. A central vignette presents the National Theatre of Costa Rica enclosed within an ornate decorative frame, flanked at left and right by guilloche panels incorporating Roman numerals and a large numeral 500. The denomination in words and the printer's imprint appear along the lower margin. |
| Reverse lettering | Log in to see details |
| Signature(s) | Log in to see details |
| Protection type | Log in to see details |
| Protection description | Log in to see details |
| Variants | Log in to see details |
| Comments |
The Banco Central de Costa Rica was established in 1950 as part of a sweeping nationalization of the banking sector — this 500 Colones note, the highest denomination in early BCCR circulation, was a direct instrument of that new monetary order. Series A ran for an unusually long stretch, over a quarter century, during which Costa Rica experienced significant inflationary pressure that steadily eroded the real value of what had been an imposing face amount.
ABNC's intaglio work for this series is among their more refined Latin American commissions of the early 1950s.