Catalog
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| Issuer | De Nederlandsche Bank |
|---|---|
| Year | 1929-1931 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Size | Log in to see details |
| Shape | Log in to see details |
| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | P#47 |
| Obverse description | Log in to see details |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse lettering | Log in to see details |
| Signature(s) | Log in to see details |
| Protection type | Watermark |
| Protection description | Circular plain watermark visible in the central left field of the obverse. |
| Variants | Log in to see details |
| Comments |
Jacques Jongert was an unusual choice for a banknote commission — he came primarily from poster and applied arts work, not the engraving tradition that dominated Dutch note design. The Helmeted Minerva series reflects that background: the composition is flatter and more graphically assertive than contemporaneous Enschedé output, closer in spirit to Dutch constructivist commercial printing than to classical intaglio banknote convention.
The series ran across a tight three-year window, 1929–1931, bracketing the onset of the Depression. Replacement demand stayed low; the Netherlands held to the gold standard through 1936, which kept monetary conditions contractionary and note turnover slow.