Catalog
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| Issuer | Banco Central do Brasil |
|---|---|
| Year | 2013-2023 |
| Type | Log in to see details |
| Value | 5 Reais |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Size | Log in to see details |
| Shape | Log in to see details |
| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse lettering | Log in to see details |
| Signature(s) | Log in to see details |
| Protection type | Watermark |
| Protection description | Log in to see details |
| Variants | P#253a - Guido Mantega and Alexandre Antonio Tombini P#253b - Joaquim Levy and Alexandre Antonio Tombini P#253c - Henrique Meirelles and Alexandre Antonio Tombini P#253[d] - Henrique Meirelles and Ilan Goldfajn (not in catalog) P#253[e] - Eduardo Guardia and Ilan Goldfajn (not in catalog) P#253[f] - Paulo Guedes and Roberto Campos Neto (not in catalog) P#253[g] - Fernando Haddad and Roberto Campos Neto (not in catalog) |
| Comments |
The second-family Real notes were introduced beginning in 2010 as Brazil rolled out a redesigned series with improved security across all denominations. The 5 Reais in this run was printed entirely by Casa da Moeda do Brasil in Rio de Janeiro — a point worth noting because earlier Real series notes had involved foreign security printers, and domestic production capacity had long been a point of institutional pride and occasional political friction for the central bank.
The security specification for this type is notably modest by contemporary standards — watermark only, without the foil strips, color-shifting ink, or raised print found on higher denominations in the same family.