Catalog
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| Issuer | Banco Central do Brasil |
|---|---|
| Year | 2013-2023 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Real (1994-date) |
| Composition | Log in to see details |
| Size | Log in to see details |
| Shape | Log in to see details |
| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | The reverse bears an intaglio vignette of a Great Egret (Casmerodius albus egretta) standing among tropical foliage, with a secondary image of the bird in flight rendered to its side, both set within a fine guilloche background incorporating the denomination numeral. |
| Reverse lettering | Log in to see details |
| Signature(s) | Guido Mantega and Alexandre Antonio Tombini Joaquim Levy and Alexandre Antonio Tombini Henrique Meirelles and Alexandre Antonio Tombini Henrique Meirelles and Ilan Goldfajn (not in catalog) Eduardo Guardia and Ilan Goldfajn (not in catalog) Paulo Guedes and Roberto Campos Neto (not in catalog) Fernando Haddad and Roberto Campos Neto (not in catalog) |
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| Comments |
The second-family Real notes were introduced beginning in 2010 as Brazil rolled out a redesigned series with improved security across all denominations. The 5 Reais in this run was printed entirely by Casa da Moeda do Brasil in Rio de Janeiro — a point worth noting because earlier Real series notes had involved foreign security printers, and domestic production capacity had long been a point of institutional pride and occasional political friction for the central bank.
The security specification for this type is notably modest by contemporary standards — watermark only, without the foil strips, color-shifting ink, or raised print found on higher denominations in the same family.