See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

5 Qirsh / Piastres Essai

Issuer Syria
Year 1926
Type Coin pattern
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Weight Log in to see details
Diameter Log in to see details
Thickness Log in to see details
Shape Log in to see details
Technique Log in to see details
Orientation Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Log in to see details
Obverse script Log in to see details
Obverse lettering Log in to see details
Reverse description The reverse displays the denomination in both Western Arabic numerals '5' and Eastern Arabic-Indic numeral '٥' flanking a central spray of two wheat ears, symbolising agricultural prosperity. The French legend 'CINQ PIASTRES' arcs across the upper field, while the Arabic inscription 'خمسة غروش' (five piastres) appears in flowing calligraphy across the lower field. The word 'ESSAI' (trial) is inscribed in small Latin letters at the base of the design, identifying this piece as a pattern or trial strike. As on the obverse, the design is framed by an elaborate arabesque border of interlaced geometric and foliate ornament.
Reverse script Log in to see details
Reverse lettering Log in to see details
Edge Reeded
Mint Log in to see details
Mintage Log in to see details
Additional information

Syria's 1926 coinage was produced under the French Mandate authority, with dies cut at the Paris Mint. Essai pieces like this one were struck as pattern submissions for official approval — a standard step in the French monetary bureaucracy before production coinage was authorized. The mandate administration was still consolidating its currency framework following the collapse of Ottoman monetary infrastructure, and Paris retained full control over what denominations would enter circulation and in what form.

Lec#22 places this among a small family of 1926 aluminium bronze essais that rarely surface outside specialist sales.

YOU MAY ALSO LIKE