Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Monnaie de Paris |
|---|---|
| Year | 1815 |
| Type | Coin pattern |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse script | Log in to see details |
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse script | Latin |
| Reverse lettering | Log in to see details |
| Edge | Plain |
| Mint | Log in to see details |
| Mintage | Log in to see details |
| Additional information |
The Hundred Days — Napoleon's return from Elba in March 1815 — threw the Paris Mint into administrative chaos. Louis XVIII fled before dies for his coinage could be finalized, and pattern production was effectively suspended mid-process. This bronze piece is among the trial strikes produced in that compressed window before or immediately after Waterloo, when the restored Bourbon government was scrambling to reestablish institutional legitimacy faster than its infrastructure could support.
Mazeau 732a distinguishes this from the silver-struck variant, the bronze indicating a workshop proof rather than a submission piece.