See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

25 Roubles The Country Estate 'Ostankino'

Issuer Bank of Russia
Year 2013
Type Non-circulating coin
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Weight Log in to see details
Diameter Log in to see details
Thickness Log in to see details
Shape Log in to see details
Technique Log in to see details
Orientation Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Log in to see details
Obverse script Log in to see details
Obverse lettering Log in to see details
Reverse description Against a deeply mirrored proof field, a high-relief depiction of the main neoclassical palace building of the Ostankino estate is rendered in fine detail, flanked by its lateral annexes. Below the principal structure, the reflected façade and architectural details are shown shimmering across the smooth surface of the estate pond, evoking a tranquil pastoral scene. To the right foreground, the naturalistic crown of a mature tree rises toward the rim, while at the left in the background the contour silhouette of a five-domed Orthodox church is visible. Along the lower rim, the Cyrillic inscription 'УСАДЬБА ОСТАНКИНО' (The Country Estate Ostankino) identifies the subject.
Reverse script Log in to see details
Reverse lettering Log in to see details
Edge Log in to see details
Mint Log in to see details
Mintage 2013 ММД - Proof; Moscow Mint - 1,500
Additional information

Ostankino was built in the 1790s for Count Nikolai Sheremetev, one of the wealthiest men in imperial Russia, whose serf theater at the estate became arguably the most sophisticated private opera venue in Europe. The main palace was constructed almost entirely by serf craftsmen trained specifically for the project — carpenters, gilders, painters — a fact that made the building both a showcase of imperial ambition and an uncomfortable monument to the system that produced it.

The estate passed to the Soviet state after 1917 and suffered considerable interior damage during the twentieth century. Restoration efforts have been ongoing and contentious for decades.

YOU MAY ALSO LIKE