Catalog
| Issuer | Mali (1960-date) |
|---|---|
| Year | 1967 |
| Type | Non-circulating coin |
| Value | 25 Francs (25 MLF) |
| Currency | Franc (1962-1984) |
| Composition | Gold (.900) |
| Weight | 8.0 g |
| Diameter | 22.0 mm |
| Thickness | |
| Shape | Round |
| Technique | Milled |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | KM#6, Schön#10 |
| Obverse description | National Coat of Arms, denomination below |
|---|---|
| Obverse script | Latin |
| Obverse lettering |
⋆ REPUBLIQUE • DU • MALI ⋆ FRS. 25 UN PEUPLE•UN BUT•UNE FOI (Translation: Republic of Mali, One People, One Goal, One Faith) |
| Reverse description | Bust of President Modibo, date below |
| Reverse script | Latin |
| Reverse lettering | ⋆ PRESIDENT•MODIBO•KEITA ⋆ •⋆•⋆•⋆ 1967 ⋆•⋆•⋆• |
| Edge | |
| Mint | |
| Mintage |
1967 - Proof - |
| Numisquare ID | 6361757660 |
| Additional information |
Historical Context: Issued in 1967, this 25 Francs gold coin commemorates Modibo Keita, the first President of Mali (1960-1968). Keita was a pivotal figure in Mali's post-independence era, advocating for Pan-Africanism and a socialist economic path. Mali had asserted its monetary sovereignty in 1962 by withdrawing from the CFA franc zone and introducing the Malian franc. This gold issue, appearing during a period of economic challenges, served as a powerful symbol of national pride and independence under Keita's leadership.
Artistry: The design features a dignified portrait of President Modibo Keita on the obverse. While the specific engraver is often uncredited, the stylistic approach reflects a common post-colonial aesthetic, emphasizing realism and nationalistic pride. The portrait aims to convey the leader's authority and vision, typical of state-commissioned coinage. The reverse would feature national symbols, denomination, and date, complementing the obverse's focus on the head of state.
Technical/Grading: As a gold issue, this coin generally exhibits a strong strike, benefiting from gold's malleability. Key high-points for wear and strike quality on the obverse portrait include Keita's hair, cheekbone, ear, and collar. A well-preserved example displays sharp details across these features, with full original luster. Collectors should look for crisp separation of design elements from fields, indicative of a quality strike, and minimal planchet imperfections.