See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

20 Piastres

Issuer Banque de l'Indochine
Year 1928-1931
Type Log in to see details
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Size Log in to see details
Shape Log in to see details
Printer Log in to see details
Designer(s) Sébastien Laurent
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Log in to see details
Obverse lettering Log in to see details
Reverse description Central vignette presents a Khmer statue, rendered in intaglio, flanked by ornamental guilloche borders. The denomination and bank name appear in both French and Vietnamese scripts, with the designer and engraver credits noted in the lower margin.
Reverse lettering BANQUE DE L'INDOCHINE HAI CHUC BAC 20 SEB. LAURENT DEL. RITA SC.
Signature(s) Log in to see details
Protection type Log in to see details
Protection description Log in to see details
Variants Log in to see details
Comments

The Banque de l'Indochine's 20 Piastres series of this period occupied an awkward administrative position — the bank held a dual role as both a commercial institution and the colonial monetary authority, issuing currency across French Indochina, French India, and the New Hebrides under a single concession. Printing was handled by the Banque de France's own workshops in Paris, the same facility producing French metropolitan notes, which accounts for the engraving quality being considerably above what most colonial issues of the period received.

Marguerite Dreyfus, known professionally as Rita, was among the more accomplished intaglio engravers working at the Banque de France in the interwar years — her name appears on several French colonial issues from this period.

YOU MAY ALSO LIKE