| صادرکننده | Olomouc, Bishopric of |
|---|---|
| سال | 1613-1636 |
| نوع | Standard circulation coin |
| ارزش | 2 Kreuzers (1⁄30) |
| واحد پول | Thaler (1613-1748) |
| ترکیب | Silver |
| وزن | |
| قطر | |
| ضخامت | |
| شکل | Round |
| تکنیک | |
| جهت | |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | KM#62 |
| توضیحات روی سکه | Arms below hat |
|---|---|
| خط روی سکه | Latin |
| نوشتههای روی سکه | |
| توضیحات پشت سکه | 2 shields with staff and sword, value below |
| خط پشت سکه | Latin |
| نوشتههای پشت سکه | |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (1613-1636) - - |
| شناسه Numisquare | 1706991700 |
| اطلاعات تکمیلی |
Historical Context: This 2 Kreuzers was issued under Franz von Dietrichstein, Prince-Bishop of Olomouc (1599-1636) and later a Cardinal. Produced 1613-1636, it spans the tumultuous period preceding and during the Thirty Years' War (1618-1648). Dietrichstein was a staunch Counter-Reformation proponent and loyal Habsburg supporter, consolidating Catholic power in Moravia. His coinage reflects his significant temporal and spiritual authority amidst intense conflict and economic strain.
Artistry: The design exemplifies the early Baroque style common in Central European ecclesiastical mints, blending with late Renaissance elements. The obverse typically presents a dignified bust of Franz von Dietrichstein, facing right or left, adorned with his miter or vestments, conveying his gravitas and princely status. The reverse invariably displays an elaborate arrangement of the Bishopric of Olomouc's arms quartered with Dietrichstein's personal armorial bearings, often surmounted by a miter or cardinal's hat, symbolizing his dual secular and spiritual power.
Technical/Grading: As a hand-struck silver issue of the early 17th century, technical qualities vary. High-points for assessing wear on the obverse include Dietrichstein's hair, nose, and vestment folds. On the reverse, critical details include the intricate armorial shield, particularly the lion's mane or miter ornamentation. Strikes are often off-center or weak, especially at flan edges. Planchets are frequently irregular in shape and thickness. Original luster is rarely preserved, yielding to attractive cabinet toning.