Catalog
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| Issuer | France |
|---|---|
| Year | 1842-1847 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Coin alignment ↑↓ |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse script | Log in to see details |
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse script | Latin |
| Reverse lettering | 2 CENTIMES 1842 |
| Edge | Log in to see details |
| Mint | Log in to see details |
| Mintage | Log in to see details |
| Additional information |
These pieces were never adopted for circulation — Louis Philippe's government ultimately retained the existing centime coinage rather than push through a redesign. Barre had been appointed chief engraver at the Paris Mint in 1843, and these patterns likely date from his earliest efforts to establish a new portrait type for the smaller denominations. The scattered date range and multiple catalog references across Mazard and Gadoury reflect genuine variation in die workmanship across the trial strikings rather than a single unified issue.