کاتالوگ
| صادرکننده | Alabanda |
|---|---|
| سال | 133 BC - 100 BC |
| نوع | Standard circulation coin |
| ارزش | |
| واحد پول | Drachm |
| ترکیب | Bronze |
| وزن | 5.07 g |
| قطر | 19.0 mm |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | SNG Munich 22#2388 |
| توضیحات روی سکه | Laureate head of Apollo facing right |
|---|---|
| خط روی سکه | |
| نوشتههای روی سکه | |
| توضیحات پشت سکه | Lyre |
| خط پشت سکه | Greek |
| نوشتههای پشت سکه | ΑΛΑΒΑΝ ΔΕωΝ |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (133 BC - 100 BC) - - |
| شناسه Numisquare | 8624199340 |
| اطلاعات تکمیلی |
Historical Context: This Æ19 from Alabanda, struck between 133 BC and 100 BC, marks a pivotal era for Greek cities in Asia Minor. Following the Attalid Kingdom's bequest to Rome in 133 BC, Alabanda, a prominent Carian city, transitioned under Roman provincial influence. Despite Roman suzerainty, the city retained considerable autonomy, including the right to mint its own local bronze coinage. These issues highlight Alabanda's continued economic vitality and civic identity amidst the evolving geopolitical landscape of the early Roman province of Asia, prior to the turbulent Mithridatic Wars.
Artistry: Though no specific engraver is known, the artistic style aligns with the Late Hellenistic traditions prevalent in Asia Minor. The obverse typically features a finely rendered bust of a local deity, often Apollo, whose cult was prominent in Alabanda, depicted with idealized features. The reverse commonly displays a civic emblem or another deity, reflecting the city's mythological foundations or economic strengths. These designs, while utilitarian, showcase competent craftsmanship, prioritizing clear, recognizable iconography over the dramatic realism sometimes seen in contemporary royal issues.
Technical/Grading: This Æ19, weighing 5.07 grams and measuring 19.0 millimeters, represents a common bronze denomination for the period. For grading, critical high-points on the obverse include the highest strands of hair and the facial features of the depicted deity. On the reverse, key elements of the device would show the earliest signs of wear. Typical strike quality for these municipal bronzes varies, often exhibiting some degree of off-centering or minor flan irregularities. A well-struck example would display full details on both sides, with minimal die wear, indicating careful production.