کاتالوگ
| صادرکننده | Thessaloniki |
|---|---|
| سال | 187 BC - 31 BC |
| نوع | Standard circulation coin |
| ارزش | |
| واحد پول | Drachm |
| ترکیب | Bronze |
| وزن | 5.8 g |
| قطر | 16 mm |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | Medal alignment ↑↑ |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | Moush`12#6600, SNG Copenhagen#358 |
| توضیحات روی سکه | |
|---|---|
| خط روی سکه | |
| نوشتههای روی سکه | Diademed head of Artemis right |
| توضیحات پشت سکه | Quiver, monograms to left |
| خط پشت سکه | Greek |
| نوشتههای پشت سکه | ΘEΣΣAΛO-NIKAEON |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (187 BC - 31 BC) - - |
| شناسه Numisquare | 8974164320 |
| اطلاعات تکمیلی |
Historical Context: This Æ16 coin from Thessaloniki spans a pivotal era from the city's post-Macedonian Kingdom autonomy to its integration within the Roman sphere. Following Rome's defeat of Philip V, Thessaloniki transitioned, eventually becoming a free city (civitas libera) under Roman authority. This status allowed it to maintain its own civic institutions and issue bronze coinage for local commerce. These issues reflect the city's enduring economic vitality and civic identity amidst the evolving geopolitical landscape of the Hellenistic East and the ascendant Roman Republic.
Artistry: While specific engravers for municipal bronze issues of this period remain anonymous, the coin's artistry adheres to the broader Hellenistic stylistic tradition. Designs typically featured local deities, personifications, or symbols reflecting Thessaloniki's civic pride and prosperity. The aesthetic emphasizes a blend of idealized forms with a degree of naturalism, characteristic of Hellenistic art. Common themes included depictions of the Cabiri, Nike, or various local cult figures, rendered with the robust yet refined style typical of Macedonian civic bronzes.
Technical/Grading: This bronze Æ16, weighing 5.8 grams and measuring 16 millimeters, represents a common civic denomination. As is typical for ancient bronze issues, strike quality can vary significantly. High-points susceptible to wear would include prominent features of any portraiture (hair, nose, cheekbone) or the highest relief elements of reverse designs (drapery folds, limbs, or symbolic details). Flans are often somewhat irregular, and strikes may be off-center. A well-centered example with strong strike pressure and minimal post-mint damage would command a premium.