Catálogo
| Emisor | Odessos |
|---|---|
| Año | 281 BC - 270 BC |
| Tipo | Standard circulation coin |
| Valor | |
| Moneda | Drachm |
| Composición | Bronze |
| Peso | 2.57 g |
| Diámetro | 15.0 mm |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | SNG Copenhagen#669 |
| Descripción del anverso | Diademed female head facing right with a beaded ring around |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | |
| Descripción del reverso | The Great God reclining left, holding a cornucopia and lying on two cushions. Upturned amphora above |
| Escritura del reverso | |
| Leyenda del reverso | |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (281 BC - 270 BC) - - |
| ID de Numisquare | 7742532480 |
| Información adicional |
Historical Context: This Æ15 bronze coin, issued by Odessos between 281 and 270 BC, places it firmly within the tumultuous early Hellenistic period. Following Lysimachus' death in 281 BC, the Black Sea region, including Odessos, a former Milesian colony, navigated a complex geopolitical landscape. Issuance of local bronze coinage was crucial for facilitating daily commerce and asserting the city's autonomy and economic stability amidst regional power struggles.
Artistry: While specific engravers for smaller bronze denominations are rarely identified, the coin's artistry aligns with prevailing Hellenistic stylistic schools. Designs typically combined classical idealism with emerging realism. The obverse features a laureate head of Apollo facing right, reflecting Odessos' Milesian heritage. The reverse depicts an eagle standing left on a thunderbolt, accompanied by the city's ethnic, ΟΔΗ. This iconography is characteristic of Black Sea cities, symbolizing power and divine favor.
Technical/Grading: As an Æ15 bronze, technical qualities often vary. High points for wear and strike include Apollo's hair and facial features, particularly the nose and laurel wreath. On the reverse, the eagle's breast, head, and wing feathers are critical. Well-struck examples exhibit clear definition in these areas and a legible ethnic. Common issues include off-center strikes, weak flan preparation, and die wear, which can obscure finer details and legends.