See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

1/4 Karshapana

Issuer Mauryan Empire
Year 322 BC - 185 BC
Type Standard circulation coin
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Weight Log in to see details
Diameter Log in to see details
Thickness Log in to see details
Shape Log in to see details
Technique Log in to see details
Orientation Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Flat silver flan bearing five punch-marked symbols applied individually by separate dies, including a solar symbol (sun with radiating rays), a reptile or lizard figure, and a spindle or reel motif, arranged across the surface of the coin without a fixed compositional order. The punch marks are characteristic of the Mauryan imperial coinage tradition, each symbol struck independently into the metal surface. The field is plain between the punches, and the irregular flan edges reflect the hand-cut preparation of the blank. No inscriptions or legends are present.
Obverse script Log in to see details
Obverse lettering Log in to see details
Reverse description Log in to see details
Reverse script Log in to see details
Reverse lettering Log in to see details
Edge Log in to see details
Mint Log in to see details
Mintage ND (322 BC - 185 BC)
Additional information

The Mauryan punch-marked coinage system is among the oldest documented state-issued currency in South Asia, predating the better-known Greek influence on Indian numismatics. These fractional pieces circulated across an empire stretching from the Hindu Kush to Bengal, facilitating trade in a highly monetized economy that Greek ambassadors like Megasthenes described with evident surprise.

Authentication is the central challenge with this series. Forgeries and post-Mauryan imitations were produced in antiquity, and distinguishing genuine imperial issues from regional copies requires attention to punch placement and silver fineness rather than any single visual marker.

YOU MAY ALSO LIKE