Catalog
| Issuer | Arkadia (Crete) |
|---|---|
| Year | 320 BC - 280 BC |
| Type | Standard circulation coin |
| Value | |
| Currency | Drachm |
| Composition | Bronze |
| Weight | 3.03 g |
| Diameter | 14.5 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | SNG Copenhagen#–, SvoronosCr#cf. 1 |
| Obverse description | Head of Zeus right. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Athena standing facing, holding spear and resting hand on shield set on ground. |
| Reverse script | Greek |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (320 BC - 280 BC) - - |
| Numisquare ID | 5487902370 |
| Additional information |
Historical Context: This Æ14 coin originates from Arkadia, a Cretan city-state, dated to the late Classical to early Hellenistic period (320-280 BC). This era, following Alexander the Great's death, saw the rise of Hellenistic kingdoms. Cretan city-states like Arkadia often retained local autonomy, issuing bronze coinage for daily transactions. These small denominations were vital for civic commerce, reflecting the city's self-governance and economic independence within Crete's complex political landscape.
Artistry: The engraver of this small bronze remains anonymous, typical for civic issues of this module. Stylistically, it aligns with late Classical to early Hellenistic Greek traditions, constrained by the diminutive flan. While specific designs are not provided, Cretan bronzes frequently featured local deities, mythological figures, or civic emblems. Common obverse motifs included a divinity's head, with reverses often depicting an animal, cult object, or identifying symbol, reinforcing civic identity on these small, widely circulated pieces.
Technical/Grading: Weighing 3.03 grams and measuring 14.5 millimeters, this Æ14 is a small bronze denomination. Due to its modest size and ancient manufacturing, such coins often exhibit technical imperfections. High-points for wear or strike weakness typically include the highest relief features of any depicted head (e.g., hair, facial contours) and prominent elements of the reverse design. Ancient bronzes frequently present with off-center or weak strikes, and flan irregularities, impacting the clarity and completeness of the design.