Catalog
| Issuer | Tarsos |
|---|---|
| Year | 440 BC - 420 BC |
| Type | Standard circulation coin |
| Value | ⅓ Silver Stater (1) |
| Currency | Drachm |
| Composition | Silver |
| Weight | 3.42 g |
| Diameter | 14 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered, Incuse |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) |
| Obverse description | Warrior advancing left, raising left hand, holding spear in right; ankh-like symbol to left. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Forepart of Pegasos flying right; TRZ (in Aramaic) to right; all in dotted square within incuse square. |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (440 BC - 420 BC) - - |
| Numisquare ID | 7944646820 |
| Additional information |
Historical Context: This silver 1/3 stater from Tarsos, issued 440-420 BC, places it within the Classical period. Tarsos, a vital satrapal center under the Achaemenid Persian Empire, exercised considerable local autonomy in its coinage. These issues facilitated extensive trade across the Mediterranean and Near East and paid mercenary forces. This denomination reflects the need for smaller units in daily commerce, highlighting Tarsos’s role as a bustling economic hub where Hellenic and Anatolian cultures converged.
Artistry: The engraver of this specific coin remains anonymous, typical for issues of this era. Stylistically, the piece exhibits early Classical Greek influence, harmoniously integrated with local Anatolian iconography. The obverse typically features the indigenous deity Baal, often depicted seated on a throne, holding a scepter or an eagle, embodying civic and divine authority. The reverse, for this fractional denomination, frequently presents a simpler design, such as an eagle or lion, executed with developing naturalism characteristic of the mid-5th century BC.
Technical/Grading: Strike quality on these small flans often varies, showing minor off-centering due to the striking process. For a typical Baal seated type, high-points include the deity's head, shoulders, and the details of the throne or scepter. The fabric is generally good silver, though minor planchet flaws are not uncommon. A well-struck example exhibits clear facial features of Baal, distinct details on the scepter or eagle, and full rendering of the reverse motif, despite its diminutive size. Wear typically manifests on these raised elements first.