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1000 Gulden Rembrandt van Rijn
| Issuer | De Nederlandsche Bank |
|---|---|
| Year | 1956 |
| Type | Log in to see details |
| Value | Log in to see details |
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| Composition | Log in to see details |
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| Designer(s) | Joseph Ferdinand Doeve |
| Engraver(s) | Log in to see details |
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| Obverse description | Log in to see details |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | Brown and green intaglio print. The central vignette reproduces Rembrandt's 'Titus at His Desk' alongside a portrait of Saskia, his wife, set against a stormy landscape composition drawn from Rembrandt's own works. A hand holding a brush and palette appears as a secondary design element, reinforcing the artistic theme of the series. |
| Reverse lettering | Log in to see details |
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| Protection type | Log in to see details |
| Protection description | Rembrandt's portrait embedded in the paper |
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| Comments |
The highest denomination in De Nederlandsche Bank's postwar series, this note was designed by Eppo Doeve — better known as a political cartoonist and satirist whose sharp editorial work appeared regularly in Elsevier throughout the 1950s. The choice of Doeve for a prestige commission at Enschedé was unconventional; his instinct for caricature translated, perhaps unexpectedly, into a striking engraved design.
At face value, 1000 gulden in 1956 represented serious money — roughly three months' wages for an average Dutch worker. These circulated almost exclusively between banks and large commercial institutions, so genuinely worn examples are rare.