Catalog
| Issuer | Vatican City |
|---|---|
| Year | 1955-1958 |
| Type | Standard circulation coin |
| Value | 100 Lire (100 VAL) |
| Currency | Lira (1929-2001) |
| Composition | Stainless steel |
| Weight | 8 g |
| Diameter | 27.75 mm |
| Thickness | 2.0 mm |
| Shape | Round |
| Technique | Milled |
| Orientation | Coin alignment ↑↓ |
| Engraver(s) | Pietro Giampaoli |
| In circulation to | |
| Reference(s) | KM#55 |
| Obverse description | Pius XII facing left |
|---|---|
| Obverse script | Latin |
| Obverse lettering |
PIVS·XII·P·M·AN·XVII GIAMPAOLI (Translation: Pius XII, supreme pontiff, year 17) |
| Reverse description | Faith with the Cross |
| Reverse script | Latin |
| Reverse lettering |
CITTA` DEL VATICANO L·100 1955 FIDES (Translation: Vatican City Faith) |
| Edge | Reeded |
| Mint | |
| Mintage |
1955 - AN.XVII - 1 300 000 1956 - AN.XVIII - 1 400 000 1957 - AN.XIX - 900 000 1958 - AN.XX - 852 000 |
| Numisquare ID | 1002200830 |
| Additional information |
Historical Context: The 100 Lire coin of Pius XII, issued from 1955 to 1958, marks the latter part of Eugenio Pacelli's pontificate (1939-1958). This era was defined by post-World War II rebuilding, the nascent Cold War, and significant global restructuring. Pius XII guided the Church through these turbulent times, asserting its moral authority amid diplomatic challenges. This coinage thus serves as a tangible representation of a complex and pivotal papacy.
Artistry: The design is attributed to Aurelio Mistruzzi, a prominent sculptor and medalist for the Vatican Mint, known for his neoclassical style. The obverse features a dignified, right-facing bust of Pope Pius XII, rendered with classical restraint. The reverse typically depicts an allegorical figure of Fides (Faith), standing with a cross and chalice. This composition, with its flowing drapery and serene expression, embodies the spiritual message central to Vatican coinage.
Technical/Grading: Struck in stainless steel, this 100 Lire coin presents unique challenges. High-points for wear on the obverse include the Pope's nose, cheekbone, and hair. On the reverse, Fides' head, drapery folds, and the cross and chalice details are susceptible to early abrasion. Stainless steel strikes often exhibit a duller luster, and minor planchet flaws or central strike weaknesses are not uncommon, requiring careful evaluation for optimal grading.