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| Issuer | Norges Bank |
|---|---|
| Year | 1949-1962 |
| Type | Log in to see details |
| Value | 100 Kroner (100 NOK) |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Size | Log in to see details |
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| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
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| Obverse description | Log in to see details |
|---|---|
| Obverse lettering | NORGES BANK HUNDRE 100 KRONER 100 100 |
| Reverse description | Log in to see details |
| Reverse lettering | 100 HUNDRE KRONER NORGES BANK |
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| Comments |
Norges Banks Seddeltrykkeri had been printing domestically since the 1820s, but the postwar series to which this note belongs marked a deliberate reassertion of Norwegian institutional identity after the German occupation. Arnstein Arneberg — better known as the architect who co-designed Oslo City Hall — brought a monumental sensibility to the design commission, an unusual crossover between the architectural and numismatic worlds.
The signature progression across prefixes A through I spans four governor-era transitions over thirteen years, making this a useful documentary record of Norges Bank's senior personnel through the reconstruction and early social-democratic consolidation period. Brofoss in particular was a heavyweight: Erik Brofoss had previously served as Minister of Finance before moving to the bank's governorship in 1954.