See full images — free registration
Continue with Google — it's free or register with email

100 francs Henri IV

Issuer Banque de France
Year 1978
Type Fantasy banknote
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Size Log in to see details
Shape Log in to see details
Printer Log in to see details
Designer(s) Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Central vignette of a bust portrait of Henri IV set within an ornate guilloche cartouche, printed in dark intaglio-style ink against a salmon-pink ground. Two blank rectangular panels flank the portrait at left and right, intended as serial number windows for motion picture use. The lower half carries a vivid orange-red underprint of Parisian architectural facades. The denomination numeral "100" appears at upper right, with the written value "CENT FRANCS" at lower left. The printer's signature "Earl & Hays" is inscribed in script at the right margin.
Obverse lettering Log in to see details
Reverse description The reverse closely mirrors the obverse layout, with a central portrait vignette of Henri IV enclosed in a guilloche cartouche, flanked by two blank rectangular panels. An orange-red underprint of Parisian building facades occupies the lower portion of the note. The "FOR MOTION PICTURE USE ONLY" overprint appears prominently in a boxed legend at the bottom centre, reinforcing the prop nature of this piece.
Reverse lettering Log in to see details
Signature(s) Log in to see details
Protection type Log in to see details
Protection description Log in to see details
Variants Log in to see details
Comments

The Henri IV 100 francs was designed by Pierrette Lambert and engraved by Henri Renaud and Claude Jumelet, though the series was printed in the United States by Earl & Hays — an unusual arrangement for Banque de France issues, which were almost invariably produced domestically by the Imprimerie de la Banque de France. Outsourcing to an American contractor reflected capacity pressures on the French printing operation during a period of high note demand.

The series ran from 1978 to 1995, making it one of the longer-lived French issues of the postwar period. Early dates are considerably harder to find in high grade than the abundant later printings.