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| Issuer | Magyar Nemzeti Bank (Hungarian National Bank) |
|---|---|
| Year | 2008-2012 |
| Type | Log in to see details |
| Value | 10 000 Forint (10 000 HUF) |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Size | Log in to see details |
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| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
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| Obverse description | Log in to see details |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | The reverse is dominated by a large intaglio vignette of the Esztergom Basilica and the Royal Palace complex as seen from the Danube, rendered in a warm reddish-brown palette after a panoramic painting by Hubert Sattler. A circular guilloche rosette with the numeral '10000' appears at the lower right, while the denomination '10000' and the legend 'TÍZEZER FORINT' are placed at upper right and left respectively. The inscription 'ESZTERGOMI LÁTKÉP' is positioned at lower left beneath the architectural scene. |
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| Signature(s) | Log in to see details |
| Protection type | Log in to see details |
| Protection description | Watermark portrait of King Saint Stephen I visible when held to light; embedded security thread running vertically through the note; EURion constellation pattern of small stars distributed across both faces to defeat photocopying; the numeral at lower right of reverse. |
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| Comments |
The EURion constellation — those small rings embedded in the design to defeat photocopier reproduction — was added to Hungarian banknotes in stages rather than all at once, which is why this 2008–2012 window exists as a distinct catalog variety from the earlier P#191 issue. The Magyar Pénzjegynyomda has printed the 10,000 Forint series continuously since the denomination's introduction in 1997, refining security features with each iteration rather than redesigning the note entirely.
Engraver György Lengyel's work on the reverse is worth noting — intaglio engraving remained a specialty of the Budapest facility long after many European printers had shifted to predominantly offset production.