Catalog
| Issuer | Corvey, Abbey of |
|---|---|
| Year | 1558 |
| Type | Standard circulation coin |
| Value | 1 Thaler |
| Currency | Thaler |
| Composition | Silver |
| Weight | 28.15 g |
| Diameter | 41 mm |
| Thickness | |
| Shape | Round |
| Technique | |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | MB#55, Dav GT I#9166, Weing Corvey#65e |
| Obverse description | Full-length facing figure of St. Vitus, standing on lion, divides S-V and 2 small shields of arms, Corvey on left, Bocholtz on right. |
|---|---|
| Obverse script | Latin |
| Obverse lettering | RENERVS. D. G. ABBAS. CORBI. E. CI. HOx. |
| Reverse description | Crowned imperial eagle, Z4 in orb on breast, date at end of legend |
| Reverse script | Latin |
| Reverse lettering | CAROLVS. V. ROM. IMPE. SEM. AVGV. |
| Edge | |
| Mint | |
| Mintage |
1558 - (15)58 - |
| Numisquare ID | 3376256910 |
| Additional information |
Historical Context: This 1558 1 Thaler coin was issued by Reinhard II of Buchholz, Abbot of Corvey (1555-1585). During the tumultuous mid-16th century, in the wake of the Peace of Augsburg, Imperial Abbeys like Corvey asserted their sovereignty through coinage. Reinhard II’s abbacy saw Corvey maintaining its temporal and spiritual authority amidst the ongoing Reformation, using the substantial Thaler to signify its economic power and territorial independence within the Holy Roman Empire.
Artistry: While the engraver remains anonymous, the coin exemplifies German Renaissance numismatic art. The obverse typically features a dignified, realistic bust of Abbot Reinhard II, often facing right, surrounded by his ecclesiastical and temporal titles. The reverse displays the elaborate arms of the Abbey of Corvey, frequently surmounted by a mitre or ecclesiastical symbols, reinforcing the abbey's status and heritage. The large flan allowed for intricate detailing characteristic of the era's sophisticated minting.
Technical/Grading: Struck from a substantial 28.15g of silver, this 41mm Thaler often exhibits varying strike quality typical of the period's manual production. High-points for wear are commonly observed on the abbot's hair, cheekbone, and the folds of his vestments on the obverse. On the reverse, the intricate details of the escutcheon and any mantling are prone to weakness. Collectors should seek examples with strong, even strikes, minimal planchet flaws, and well-defined legends, which are crucial for appreciating its historical and artistic merit.