Catalog
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| Issuer | England |
|---|---|
| Year | 1502-1504 |
| Type | Log in to see details |
| Value | 1 Shilling (1/20) |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
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| Obverse description | Log in to see details |
|---|---|
| Obverse script | Log in to see details |
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse script | Log in to see details |
| Reverse lettering | [im] POSVI DEVMx A DIVTOR E`x MEVM (Translation: I have made God my helper) |
| Edge | Log in to see details |
| Mint | Log in to see details |
| Mintage | ND (1502-1504) - mm. Lis (105) |
| Additional information |
The profile testoon is widely considered the first English coin to bear a true portrait of the reigning monarch rather than a stylized, generic face. Henry VII commissioned it partly as dynastic propaganda — the realism was deliberate, projecting legitimacy at a moment when Tudor rule was barely two decades old and Yorkist pretenders remained a live threat. The design is attributed to the Flemish engraver Alexander of Brugsal, working under the influence of continental Renaissance medallic art.
Surviving examples are genuinely rare. The issue ran for only two years before production effectively ceased, and testoons saw limited circulation relative to groats — their value made them more likely to be hoarded or melted.