| Issuer | Southern Rhodesia (1932-1955) |
|---|---|
| Year | 1944-1946 |
| Type | Standard circulation coin |
| Value | 1 Shilling (1/20) |
| Currency | Pound (1932-1955) |
| Composition | Silver (.500) |
| Weight | 5.66 g |
| Diameter | 23.6 mm |
| Thickness | |
| Shape | Round |
| Technique | Milled |
| Orientation | Medal alignment ↑↑ |
| Engraver(s) | Obverse: Percy Metcalfe Reverse: George Kruger Gray |
| In circulation to | 1 June 1965 |
| Reference(s) | KM#18a, Schön#17a |
| Obverse description | Portrait of George VI, King of the United Kingdom and the British Dominions from 1936 to 1952. |
|---|---|
| Obverse script | Latin |
| Obverse lettering | GEORGE VI KING EMPEROR PM |
| Reverse description | Great Zimbabwe Bird splitting date, denomination below, name towards the top |
| Reverse script | Latin |
| Reverse lettering | SOUTHERN RHODESIA 19 46 K G ONE SHILLING |
| Edge | Reeded |
| Mint | |
| Mintage |
1944 - - 1 600 000 1946 - - 1 700 000 1946 - Proof - |
| Numisquare ID | 1567691910 |
| Additional information |
Historical Context: This 1 Shilling coin, issued by Southern Rhodesia between 1944 and 1946, places it firmly within the reign of King George VI (1936-1952) and the tumultuous period of World War II. As a self-governing British colony, Southern Rhodesia played a significant role in the Allied war effort. The continued issuance of coinage, even with a reduced .500 silver standard, underscores the necessity of maintaining economic stability and national identity during global conflict.
Artistry: The obverse features the uncrowned effigy of King George VI, meticulously sculpted by Thomas Humphrey Paget, a prominent British medallist. Paget's work embodies a classical yet dignified portraiture style, characteristic of early 20th-century British numismatic art. The reverse proudly displays the iconic Zimbabwe Bird, a national emblem derived from archaeological findings, symbolizing the territory's unique heritage and sovereignty.
Technical/Grading: Struck in .500 fine silver, this 23.6 mm coin presents specific high-points crucial for assessing grade. On the obverse, examine the hair above the King's ear and the ear itself. For the reverse, critical areas include the head, breast, and intricate feather details of the Zimbabwe Bird. Due to the wartime alloy and production, examples may exhibit slight weakness in strike, making sharply defined specimens highly desirable.