Catálogo
| Descrição do anverso | Draped bust to right. |
|---|---|
| Escrita do anverso | Latin |
| Legenda do anverso | FERD·CAR·D·G·DVX·MANT·MONT·CAR·GVAS· |
| Descrição do reverso | Large group of war trophies, date below. |
| Escrita do reverso | Latin |
| Legenda do reverso | CONVENIENTIA CVIQVE 1706 |
| Bordo | |
| Casa da moeda | |
| Tiragem |
1703 - - 1706 - - 1706 - FER·D· error - 1707 - - |
| ID Numisquare | 1340815620 |
| Informações adicionais |
Historical Context: This 1 Scudo silver coin, struck between 1703 and 1707, represents the final years of Ferdinando Carlo Gonzaga's rule as Duke of Mantua and Montferrat. As the last sovereign Gonzaga duke, his reign was inextricably linked to the War of the Spanish Succession. His ill-fated alliance with France led to Mantua's occupation by Austrian forces in 1701, culminating in his eventual deposition and exile in 1707. This coinage thus serves as a poignant numismatic testament to the impending end of Mantua's independence and the centuries-long Gonzaga dynasty.
Artistry: The design of this large silver Scudo reflects the late Baroque aesthetic prevalent in Italian coinage of the early 18th century. While specific engraver details are often scarce for this period, the coin would typically feature a regal, idealized bust of Ferdinando Carlo on the obverse, rendered with classical elements and elaborate drapery, indicative of the era's portraiture. The reverse commonly displayed the intricate ducal coat of arms or an allegorical figure, symbolizing the duchy's authority and dynastic heritage, executed with a sense of grandeur and meticulous detail.
Technical/Grading: Struck on a substantial 40mm flan weighing 24.98 grams, this Scudo's considerable surface area often presents challenges for a full, even strike. Key high-points for grading typically include the highest curls of the Duke's wig or hair, the details of any crown or laurel wreath, and the intricate elements of the ducal arms on the reverse, such as the coronet and shield divisions. Areas of weakness or flatness, particularly on the periphery or in the finer details of the portrait and shield, are common due to the inherent pressures of striking such a broad planchet with early 18th-century minting technology.